Prospero and Miranda's relationship in the Tempest is a strongly bonded one. When Miranda and Ferdinand meet for the first time, they talk to each other so. A summary of Act III, scene i in William Shakespeare's The Tempest. As Ferdinand works and thinks of Miranda, she enters, and after her, unseen by either. Rethink the relationship behind Ferdinand and Miranda in William Shakespeare's 'Tempest'.
In earth and heaven, in glade and bower, Shall feel an overseeing power To kindle or restrain. And beauty bom of murmuring sound Shall pass into her face'" — into her face, and into her soul no less, the spiritual effect of nature's influences being as marked as the physical.
Ferdinand and Miranda
And nature on this enchanted island is more than nature anywhere else on earth, for the supernatural — that which is beyond and above nature — is added, through the potent and benign art of Prospero. He has been her teacher too — a loving teacher with ample leisure for the training of this single pupil, the sole companion, comfort, and hope of his exile life.
How will this child of nature behave in the artificial world of "society? Who else would have dared to bring this innocent and ignorant creature — ignorant at least of all the conventional ways of social life — face to face with a lover, and that lover a prince, the flower of courtly cultivation and gallantry, as her very first experience of the new world to which she is destined to be transferred? The result is one of the highest triumphs of his art, — because, as he himself has said in referring to the development of new beauty in flowers by cultivation, "the art itself is nature" Winter's Tale, iv.
This modest wildflower, under his fostering care, unfolds into a blossom of rarer beauty, fit for a king's garden, without losing anything of its native delicacy or sweetness.Caliban & Ferdinand (+Miranda) - A Love Story, The Tempest...
Jameson says, "There is nothing of the kind in poetry equal to the scene between Ferdinand and Miranda. To the most of men this is a Caliban, And they to him are angels. And again must "inward laughter" have "tickled all his soul" to borrow Tennyson's phrase when Ferdinand is piling the logs, and the sympathetic girl comes to cheer him, little suspecting that Prospero is hidden within earshot.
Shakespeare: Miranda and Ferdinand’s Relationship
Love has made the artless maiden artful, and she suggests that the young man may shirk the unprincely labour for the nonce: Miranda's frank offer to carry logs while Ferdinand rests is a natural touch that might at first seem unnatural, but how thoroughly in keeping with the character it is after all. This child of nature, healthy, strong, active, familiar with the rough demands of life on this uninhabited island, and unfamiliar with the chivalrous deference to woman that exempts her from menial labour in civilized society, sees nothing "mean" or "odious" or "heavy" in piling the wood, as Ferdinand does; and when he resents the idea of her undergoing such "dishonour" while he sits lazy by, nothing could be more natural than her reply: As he says later: Hear my soul speak: Of course, he will not hear of this.
Ferdinand asks her name so that he may mention it in his prayers. Miranda instantly tells him her name and then she realizes that she has disobeyed an express command Of her father.
Shakespeare's The Tempest - The Relationship Between Miranda and Ferdinand
Under Ferdinand's compliments, Miranda asks, "Do you love me? Miranda bursts into tears, and when he asks why, she says that she is unworthy. However, practically in the same breath, she says that she is his wife if he will marry her.
Of course he is quick to assent. He is worthy of Miranda, who is charming, unaffected and genuine. Miranda has known no other women and has no knowledge whatever of the conventions of pursuit and surrender.
Prospero and Miranda's relationship in the Tempest is a strongly bonded one.
She follows simply the dictates of her heart without any pretension. Thus there can be no doubt that Shakespeare's theory of the ideal courtship is a mutual and immediate acceptance, without the use of artificial love conventions. Shakespeare plays on the idea of slavery by portraying Miranda and Ferdinand as willing slaves to each other, and Ferdinand is a slave to Prospero for Miranda's sake.
Miranda would make herself a slave for Ferdinand's sake by taking over the slavery he has accepted for her own sake.